11.11.2006

(SP) "It may be getting old but it ain't over yet"

The unexamined life is not worth living. And I've been feeling pretty worthless lately. But hopefully soon my struggle will pay off and I will have more time for all this shit. Until then, another quote, "life without music would be a mistake." (Immanuel Kant)

3.23.2006

(AP) "And for your outstanding performance in a comedic role, I'd like to dedicate the findings of the jury to the dead."

I am not usually a conspiracy theorist...no, really...stop laughing. But the increasing amount of what I can only describe as insurmountable evidence that fits into either one of two categories:
1) Scientific Fact or 2) Logical Deduction has raised serious questions (in my mind, at least) about the Official Account of the events of 9/11. For those who have always felt like there has been something fishy about the whole thing, I urge you to consult the website created and maintained by a group called Scholars for 9/11 Truth. As far as I understand it, this is a group of students, professors and professionals (in fields ranging from psychology to economics to engineering) whose aim it is to reopen the congressional investigation which, they believe, was prematurely closed primarily because, according to them, critical pieces of evidence were either discluded or ignored. The method this site employs consists of analyzing video, interviews and de-classified documents while subjecting all of these to modern physics, chemistry and structural engineering to test whether or not the Story (this is how I will, hereafter, refer to the Bush Administration account of the events) can accurately explain the phenomena witnessed, and if not, to make some suggestions about what may have been going on. I am not going to repeat all of the information from the site here (obviously), but I will mention 2 elements (one from science and one from western logic) which, I think, give cause in-and-of themselves to delve deeper.

The science (in two subparts - there is much more than this on the site)

1a. (Chemistry) It is a property of steel (the main structural component of the towers) that fire from any traditional source (there's no reason to think that anything untraditional was in these building) does not burn hot enough to weaken its structural integrity. A key element of the Story is that residual fires from the plane crashes caused the weakening of the building's structural integrity, leading to their eventual collapse.

1b. (Physics) These buildings were constructed in three vertical sections so that in the event of a major disaster, if there was damage to only one part of the building, the others would still maintain integrity. The planes hit in the upper-most section. Which does not explain, on it's own, why the lower sections were weakened. But in consideration of newtonian mechanics, it's even worse than that. Here's a crude analogy: imagine your body divided into three sections (head/neck, torso and legs). Imagine you sustain a rather serious blow to your head/neck which almost decapitates you. What would happen to your body parts in that case? If your head had, so to speak, suddenly lost anchoring to the rest of your body, it would topple off the body and land next to it. Notice, if you can remember the videos, what we saw when the buildings collapsed was not that (the top section falling off the rest of the building and onto the street) but more, to continue the analogy, like your legs had been taken out from under you. You will find on this site many interviews with not only pedestrians but firepeople and eplosives experts who say the collapse as seen can only be explained by a controlled implosion which destabilized the bottom 3rd and accounts for the physical way that the building collapsed. They make a much better case than I just did, but I thought it was worth pointing out, even here...

The Western Logic.

1. Download the following 3 minute clip from the site (right-click and save). It is an interview by the 911 Commission of Norman Mineta (transportation secretary). In this he recounts a situation that took place in the Pentagon that he witnessed between the vice-president and a soldier. It was aparently procedure (although Mineta had just found out about it that day) that F-18's be scrambeled in the event that terrorists take over a civilian aircraft (in order to shoot it down). Now, Mineta says that they kept getting updates from some guy on the distance between the plane and its percieved target (50 miles, 40 miles, etc...). And when it got to "10 miles," the guy turns to the vice-president and says, "do the orders still stand?" This aparently was visibly jarring to the vice-president but lets put that aside; let's just examine the claim. Consider the following argument:

1) The "orders" in question were either to have the F-18's intercept or they weren't.
2) If the orders had been to intercept then the F-18's would have intercepted
3) The F-18's did not intercept
4) Therefore the orders must not have been to intercept.

I don't think it really matters what the orders actually were (although it does make a difference, criminally speaking, if the order was e.g. "let them go") in the sense that this information alone (regardless of the actual orders) demands somebody give a reason why the supposedly intact policy was circumvented (or preempted), especially when it was easily foreseeable that these planes were going to cause damage to their targets, not to mention the loss of human life.

At this point I really don't know what to make of this. And I am, as always, surprised that the media (who, according to that douchebag Hannety, clearly are just out to hurt the president) have not picked up on this yet. But I think we are in for several very interesting months leading up to November '06. I certainly hope my suspicions are incorrect, because if not, things are a lot worse than I ever imagined.

3.13.2006

(MP) Almost Every...Line Is Sung In-Time, And Almost Every Verse Ends In A Rhim (sic), The Only Problem We Had Was Writing Enough Words"

To Whom It May Concern,

Things have been pretty slow with my life recently and so, consequently, things have been pretty slow here at Back To The Argument. But I finally have some good news to report. Setoff will have the Song Of The Day over at Garageband.com this Saturday. If you have a free moment cruise over and see what some people have said about our tunes since we put them up. The cool thing about this honor is that it basically comes from the fact that we have had some very positive reviews and also, in fact, some nominations in categories like Best Production, Best Male Vocal and Most Likely to Sell Out And Be Seen On MTV Next Month...well, we're not too proud of that last one, but, you know...it's not a real category anyway. In other band news, Setoff has basically been in hibernation since our last show writing new material because, among other things, we are planning to record a full-length CD in June back at the Art Of (F)Ears with Andy "Nobody Knows My Last Name Anyway" Ernst.
By way of preparation, we are hoping to play 4 new songs at our next show (a week from Friday) and that shit doesn't come easy. Hours upon hours are spent glaring at each other in our cramped practice space in the sketchy part of Oakland fighting the urge to break an instrument (or, you know, a limb) and dodging Eric's drumsticks. He has become particularly adept at "losing" a stick while we play which then flies off in a seemingly random direction but which ultimately (and 'miraculously') hits Nino or I (whomever has presumably offended him in some way) with pinpoint accuracy. I've been trying to figure out a way of getting back at him, but I can't really claim that it's an accident when he gets a concussion from an errant Les Paul Custom. But enough about that, if any of you who read this happen to be free on Friday, March 24th you should come out to the Balazo Gallery in San Francisco and watch us (delicately) tear it up with Second Shot and King City (members of Mad Caddies, RKL, Lagwagon, etc.). One of these days I really will get around to writing a more academic post. There are several topics that have been swirling around in my head for some time but all my free moments recently have been spent on band-related things. After we complete writing for the full length (probably in the next 3 weeks) I will have more time on my hands and then I would prepare yourselves for the deluge. Or don't...but don't say I didn't warn you.

-Whitney Baron
Executive Vice President In Charge Of Guitaring

2.13.2006

(SP) "So Much For Saturdays And Other Days Where Lives Are At Stake, God Forgive Us For The Hatred, For The Risks That We Take."

Gabba Gabba Hey Punk Rock Fans!
I hope this posting finds you...well, let's just hope it finds you, period. I was up in the Reno/Tahoe area this weekend with Setoff. We had a really great time; I especially enjoyed sharing our touring experience (such as it is) with my girlfriend Val (although I'm sure she could have done without the food poisoning she suffered at the hands of the veggie pizza at Fat City on Saturday night) and our new de facto "business manager" Ben Stein (even thought we didn't win his money, he was able to get us our money). Friday night we played in Reno at a really small club/bar called the Reno Jazz club. The ambience was pretty back-alley and both of the other bands weren't very good but the booker was nothing if not really generous to us (she gave us $30 of the $55 dollars she made at the door). Saturday night we played in South Lake Tahoe at a place called "Whiskey Dick's Saloon." The bands that night (one of them was the same as the night before) were also not that impressive and there was a problem with the set times which left a sour taste in the mouths of all the bands. We had made an arrangement with the booker (who happened not to be at the club the night that we were playing) to the effect that we wouldn't play first since we travelled for so long to be there. This caused a problem because one of the bands (obviously a local band) didn't want to play first and the other band that we had played with in Reno also didn't want to play first because they had travelled from San Francisco as well. So all the bands just sort of sat around until almost 10:30 (the music was supposed to start at 10p) when the bar manager stepped in and made the local band play first. Then, (I figure) just to spite us, they took 45 minutes to set up there equipment and start to play. On top of it they seemed to be total douchebags...pretty low class. I didn't have as much of a beef with the second band, although they never mentioned our name during their set even though they knew what it was (we had played with them the night before). So, as a result, we didn't get on stage until after 12:30a and thus played to a thinned out, largely uninterested audience. We also played sloppily; but drunkeness on the part of certain bandmembers was responsible for that, and said bandmembers have vowed not to do it (drink excessively before shows) again. Incidently, we got the whole trainwreck on DV tape (the soundguy records every set there) and if nothing else, if and when we actually put out a band DVD about our touring experiences, we will definitely include the part where I say (after a fuckup on Customer), "You're too drunk!" and he responds (without missing a beat), "I think you're not drunk enough!"...fun times. In any event, as per usual, even though the audience wasn't digging it, the soundguy (Allen) was heaping on the praise and he said that we must rebook (and tell the manager that he [Allen] had told us to rebook on a "better show")...I love that we get essentially the same comment at all the shows we play...well, impress enough soundpeople...The most unexpected and pleasant part of the evening however was that we made $100 even though not many people cared to listen to us and one person from the back of the bar even shouted, "I'd rather be asleep" during a pause. The money situation is funny to me because I'm sure that the reason we got the most money was that we were playing "nominal headliner" for the evening. And even though the Hyenas (the openers) probably had 30 people watching them play, I'm sure they didn't see even $50...there is some justice in this world...
Speaking of...it was our first show playing as a four piece after the departure of Jeremy and Jesse Korkki. A great big shout out to Matt Howell who learned all of our tunes on bass in 2 days and was able to fill in some of the gaps left by our departed string section. He is already adding flares to the songs to make them his own and I am looking forward to beggining to write with him in attendance as we attempt to compose a full-length's worth (12 songs) of material before a June recording session. We already have 4 songs completed musically and I already have parts written for 5 other songs - we are well on our way to meeting that goal. The new material is the best stuff I have ever written. It's inexplicable to me because when I was writing for Karaoke Outfit it would take me a long time to sit down and compose a song, and some days I would try and it would yield nothing. These days when I sit down to compose, ideas just flow out of me. And even though I haven't totally completed many of the songs that I've started, these recent tunes have so much more potential then any of my earlier tunes (even though I still have a soft spot in my heart for Suburban Legend and No Apology) that I can't help but be excited to see what I'm going to turn out in the next 4 months. I think a large part of it is that I have now internalized many more chord forms than the traditional power chords or barre chords and so, with these more melodically complex tools in the kit, it is far easier for me to be prolific than it was during my days with the Outfit. I will soon post some tabs of new material in the next couple of days for those of you muscially inclined ones to peruse.
Anyway, it's late and I want to get some of these ideas down before I go to sleep. Catch Y'all Later Eatin' The Puddin'.

1.17.2006

(AP) "Snap out of it, you're not making any sense."

This is going to be quick, but I just have to point this out. After I came home from practice I started reading an article on CNN.com about Clarence Ray Allen (an elderly death row inmate) who was just put to death. In the article it explains that Allen had had a heart attack in September and that he subsequently requested that if he were to go into cardiac arrest at any time before his exocution date, that he should be allowed to die (i.e. no attempt should be made to resuscitate him). And aparently a prison spokesperson (Vernell Crittendon) denied this request saying, "at no point are we not going to value the sanctity of life...we would resuscitate him." Does that not strike anybody else as at best rediculous and at worst illogical. Aparently demonstrating the sanctity of human life involves not allowing a man to die of natural causes but rather prolonging his life just so that *we* can be the ones who kill him. I do not necessarily believe that everyone's sentence on death row deserves to be commuted but let's please not pretend that prolonging the lives of these doomed men is a humanitarian gesture. Thank you and goodnight.

1.08.2006

(SP) "And I'm leaning on this broken fence between past and present tense. And I'm losing all these stupid games that I swore I'd never play."

Hello everybody.

What follows is another half assed attempt on my part to rouse myself from the posting coma into which I have settled which has made this place just about as interesting as watching that Lindsey Lohan movie with the talking car...you know which one I mean. Not much has changed in my life since the last time I posted here. I am still working for my dad, a job which is not as ass as it used to be, although the project is slowly winding down and I know I'm just going to screw myself in the end if I don't have something else lined up for once I finally finish there. But for now it's paying the bills (what little there are - thank god for living at home) and occupying my days which otherwise would no doubt be spent poking around on the same five sites on the internet that I poke around everyday and playing Half Life 2; which I maintain is the best video game released for xbox this year and rivals Halo (the game which will surely go down in the annals of history as the best game for the xbox platform) in terms of story and single player content. The visuals and physics engine are stunningly real.
In any event, the band is still going strong presently although some things have gotten better and some things have gotten worse in the last 2-3 months. On the upside, the band feels more cohesive to me these days. Practices are pleasant and productive experiences and I no longer feel the tension that was once there between certain members of the group. I think this has resulted in the other major positive which is that we're writing the best music yet and we have five or six songs at varying levels of completeness towards either are next recording endeavor or, should we choose, we can use some of them to complement our 8 song EP and actually have a 12 song record by the time we tour around this summer. That all said, there are two aspects of the band which are not as good as they used to be. First, money - the band as a whole doesn't have a lot of it. When we're planning to save money to tour (which requires some of the band members to save up an extra months rent while we'd be gone) and we still have the studio rent ($86 perpersonpermonth) and we're seriously considering going back into the studio to at least fix the small number of mistakes on the first EP if not record more material to add to the EP ($250-$700 perperson) depending what we do, and, assuming we get no help from a label on the post-production end (which has it's own benefits and drawbacks) ($300 perperson) that's really upwards of $1300 that I have to come up with in the next 6 months or so, and that's a lot. Not that I can't do it (the expenses would be stretched out over time) but some of the other band members aren't in the same financial situation as I with regard to either living situation or wage, and I hope we can come upon a solution together which minimizes strain on all the band members. The second shortcoming at this point is the difficulty of booking shows (let alone BIG shows). We got to play with Lagwagon in late November which was an awesome show (probably my best show ever), but since then we have played only a couple small shows and to relatively unappreciative audiences. Despite the fact that we have some bigger shows on the horizon (one in Arcata, of all places, and one in South Lake Tahoe) and that we will probably have a larger hometown show in February/April it feels like we've hit a lull. I'm not sure how fair that comment is because our first three shows were exciting for different reasons (Underground was our first, Pound was our first at a respectable club and the Mad I was our first HUGE show - and on the road) and I guess the nature of the beast, until we take off - so to speak, is that we're going to play a string of small shows with minimal audiences. It's just kinda frustrating because I thought I had put those days behind me when Karaoke Outfit desolved. I guess my expectation that we were going to become an instant hit locally was just unrealistic. What Eric and I have come to realize now is, as frustrating as it may seem, the next step (aside from finishing the record) is getting lucky. That means having a national touring band take us on tour with them. Now, this is not outside the realm of possibility for THIS summer (we're keeping our fingers crossed that one of our connections will come through for us) but the waiting game is particularly painful when I'm still not sure exactly what the shape of my next couple of years is going to be. The worst part about it is the unknown; that the call could come tomorrow or next January, but I suppose that's what makes it kind of exciting too. And in the meantime, we'll just plug on and try to make as much of a name for ourselves locally as we can so that when the big break does come (and I truly believe it will) we will already have the hometown shows taken care of.
In other news, SKI SEASON HAS BEGUN! Although I have not managed to get up to the mountains yet, Val, Cec, Jason and I are going to go up to Northstar for MLK weekend. I am really excited about this because I will get to ski Lookout Mountain for the first time, so pray for snow this week so that we can have fresh powder on what will probably become the new hotspot for advanced skiers in North Lake Tahoe.
I will be back around here sooner or later so leave a message or IM me @ Bond681@aol.com. And if you have some free time check out Setoff's myspace site www.myspace.com/setoffpunk or our website (which will be put up soon) @ www.setoffpunk.com. Later all.

-Whitney

10.06.2005

(MP) "Like I don't know how to sing, I can barely play this thing"

This is a little something I've been working on, I like it, I'm not sure if anybody reading this thing can play it but I'd love to get feedback:

Verse:
G1: (all power chords) A,B,D, Fm (high), E (high)
G2:
e -----------------------------------------------------------
-----------------------------------10---9--------------------
---6----------7------9---7---6-----9----9-----------------------------
---7----9-----5------7---7---7-----7-------------------------------------
--------7------------5---5---5-----9----7-----------------------------
E-- -5----5-----7-----------------------------------------------------

Chorus:

Chorus:
G1: (all power chords) F (low), D, A, E (low)
G2: --------------------------------------------------e
--------------------------------------------------
--9---9---7---6(bend)--9----11---9----------------
--7---7----------------------9---9------------------
--4---5---5---5--------7-----7---7---------------------
-----------------------5-------------------------------E